Talk Time: Media Maven
(Photo: Courtesy CNN)
S. Mitra Kalita, the Senior Vice President for news, opinion, and programming for CNN Digital, is the author of Suburban Sahibs, a groundbreaking book that delved into how immigration altered the American suburbs. She was an editor and columnist at India-based Mint, and has also had an illustrious career in the U.S. at The Washington Post, Newsday, The Wall Street Journal, AP, and The Los Angeles Times. Her economic memoir and study of globalization is called My Two Indias.
You were raised in Long Island, New Jersey, and
Puerto Rico. Tell me about that and what drew you to
journalism?
My parents moved around a lot when I was a kid.
In hindsight it has a lot to do with why I became a
journalist. Most of your readers will be familiar with
kind of the duality that it is to be Indian-American.
A few things challenged that traditional narrative.
My father is culturally quite eclectic. He's a Buddhist,
had Kiss records, and listened to Janis Joplin. Growing
up, we had a lot of African-American literature in the
house. There was an early exposure to not your typical
white, suburban American existence, if you will.
We moved to Puerto Rico when I was eight years old and so began the end of any duality that I had in my life. There was a familiarity and closeness with people who weren't family that we really hadn't experienced in America. I started to see culture from a point of finding similarity as opposed to difference. That's completely how I approached digital journalism—that in order to find readers, you must have this belief in finding something in common with them.
Did you have any early struggles in journalism?
I was afraid to articulate story ideas, and very
quickly I learned that in a newsroom, if you don't
have your own ideas, you have to execute things that
your editor thinks are good ideas and probably aren't.
My first job was with the Associated Press, which was
just a great training ground, but also a great lesson in
learning the formula in order to break the formula.
Can you give me an example of how that method
played out for you?
Here at CNN, I oversee the opinion team, and we're
constantly trying to figure out whose perspective we
are not hearing in the story. I talk a lot about how we
can get under that reaction that's prompting virality.
What does it take to hold your own despite the
growing chorus of “fake news” and of media being
treated as “enemy number one”? Is that a particular
challenge or do you feel like that's a fight that you
have been waging for a while?
I've talked a lot about the importance of reader
trust, and I've often done it from a perspective of
diversity and inclusion, which I don't just mean to be
about race, but really in seeking out voices that are
different from the ones you keep hearing. Why do
people trust questionable news on Facebook if it comes
from their uncle? Well, the answer is because it comes
from their uncle. How can we build that same trust and
familiarity with our audiences? How do we engage in a
conversation with our users? Being inclusive as far as
who's writing the news, who's editing the news, who's
making the decisions, is something that we have to ask
ourselves every day.
I’m not gonna lie—obviously the current climate of how journalists are perceived and treated is a really challenging one. What I try to tell our teams is that if you take something that the President has tweeted and start to regard as adversarial, then that's not the right approach—because our entire being rests upon sticking up for our audiences. It's about our role in a democracy. It's not about a combative relationship with a politician.
What advice would you give to a young Indian-American kid who wants to be like you?
I still have this belief in work ethic. I still have this
belief in trying to be the best that you can be. I'm from
a region in India that's considered one of the most
backward states in the country. And my Dad always
says to me, “If this is as good as it's going to get for you,
that someone like me made someone like you who
made it to somewhere like here is pretty remarkable.”
Right? I think that's a pretty useful perspective as well.
Just to think that my grandparents ever would have
someone like me able to talk to you in this office filled
with Bollywood posters. That's a real privilege.
You mentioned Bollywood posters in your office—which one’s your favorite?
Well, the ones I have are not necessarily my
favorite. One of them is from Mother India, which if
you're familiar with it, is a woman who feels like the
whole weight of the world is on her shoulders, but you
can tell that she still has a lot of fight in her and could
take you down. I felt like that’s kind of a message to
anyone who comes through.
Poornima Apte is a Boston-area freelance writer and editor. Learn more at WordCumulus.com.
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